Art + Paper

Artist Nibha Sikander uses paper to creat 3D insects, butterflies and birds. At a glance, it's hard to set her creations apart from the real. 

One could be led to assuming that these minute details are possibly painted in. 

Look closely and you'll discover that each pattern has been painstakingly crafted in paper!

A deep love for nature fuels Nibha's creativity. See more of her work here.

Images: Copyright Nibha Sikander

Text & creative layout copyrights: On the Design Boat  (http://onthedesignboat.wixsite.com/otdb)

Snippet * 27     Folds in PAPER

By

Divya Agrawal 


Extraordinary talent showcased extraordinarily well!
Here are Spanish musician Gonsalo Garcia Calvo's origami creations. Poetry in paper, shall we call it?

 
All images: Gonsalo Garcia Calvo

Text & creative layout copyrights: On the Design Boat  ( www.onthedesignboat.com )

M o u l d i n g    w i t h    P a p e r

Text: Divya Agrawal

A feature on Mary Button Durell's Paper Sculptures is a happy start to 2015 for us at On the Design Boat. Enigmatic, organic, multi faceted, complex, deep are some of the qualities evident in this San Francisco based artist's work - qualities that we also look forward to showcasing in our features in this new year.

Paper is the most basic of materials. A material that on the surface seems to have limited obvious use. One look at Durell's sculptures instantly transforms our notions of what can be achieved with this material.

Image: inthemake.com

Mary uses tracing paper and wheat paste to create most of her work. Her sculptures are organic in form, twisting and binding to create amoeba like organisms. 

One gets to see an experimental and an experiential approach towards material and form in these paper sculptures. The fact that the Durell is testing and pushing boundaries with her chosen material is very evident in the way she has created widely varying forms.

"I like the challenge of pushing the limits with one material, it forces you to always think about what’s next and how to continue to reshape, redirect and transform that chosen material. I have an interesting and long-term relationship with this paper, and when you work in tandem with your materials and with such intimacy, the give and take is an important part of the work." Mary Button Durell via inthemake.com

A sublime palette of colors adds an enchanting, ethereal quality to these works. At a glance, it is difficult to believe that paper can contain so much - strength, solidity & fluidity, translucence & opaqueness....

 

"Fundamental ideas explored in my work relate mostly to the mysterious quality of translucency— the ways in which diffusion of information, lack of clarity and distinction can pull you in and stimulate questions and curiosity.....

.....I’m drawn to the questions that layers bring up and the possibilities for meaning, whether it’s single layers or multilayers. There is so much to consider: the extent of layering (psychological and physiological), the realities underneath, the history, the texture, the thickness, the construction, and how to uncover those layers. Themes of contrasting forces also carry through my work: fragility and strength, opacity and translucence, heaviness and lightness."Mary Button Durell via inthemake.com

Image: inthemake.com

These are some visuals from Mary's studio - a veritable smorgasbord of ideas & experimentation!

Image: inthemake.com

"....But of course inspiration comes in all ways. I stop. I sit, observe, absorb, and look closely and slowly at objects. I follow contours on the pavement during a slow paced walk. I pay attention to negative space, the space around, the gap, the mistakes, and the discarded. I get out the magnifying glass, I rotate, I nap. Travel, libraries, dancing, music, maps, hardware stores, my artist friends, huge gut-ripping roaring laughs— all of it inspires me, everything, the full catastrophe." Mary Button Durell via inthemake.com

Aptly said Mary - an artist absorbs everything and these experiences become tools. Here's wishing all a happy year ahead of more listening, absorbing, observing and creating!!

See more of Mary's work and the process involved on her website. 

All Images: Copyright Mary Button Durell unless captioned otherwise

Text & creative layout copyrights: Onthedesignboat   

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P A P E R   C I T I E S   w i t h   a   s o u l

Text: Divya Agrawal

At a glance, maps are a one dimensional expression of a place - a tool that defines to the viewer physical characteristics like extent, topographic features and connectivity. However, a place, let's talk about cities here - is much more than this. Cities are living, breathing organisms. They have distinct identities, a network of veins and arteries that keep them throbbing. Many modern cities have a rich history, they have gone through many churns and upheavels, some have reinvented themselves - all these changes peep out here and there from the city fabric.

A city can be alive, thriving, invigorating or dull, depending upon the when and where of the observer.  The observer has to make a "connect" with the city to be able to understand & experience it. Today's post brings to you City Sculptures by Mathew Picton, a Cartographer who infuses extraordinary elements into simple city sculptures, enabling a viewer to 'connect" with the cities he creates.

Let's read on to discover how...

Image: Saint Petersberg; inthemake.com

Picton is a Cartographer with a unique approach. 

He recreates cities - most of them rich in history & culture in 3D, with paper.

Image: Detail from Saint Petersberg; inthemake.com

These are paper sculptures with a soul - maps that have elements intrinsic to the city embedded in them. Elements that have been a defining voice in shaping this organism, that are an inextricable part of its past & present. These elements could be paper with text that relates to the time in history the model depicts, poetic descriptions, works of writers/ artists belonging to the place.  

The sculpture of Saint Petersberg above contains key dates in its history. Also included are works of famous writers & poets, in English & Russian. An interesting method has been used to indicate major historical events and how they affected the city e.g. areas with Russian text were not affected by the Great floods.. 

Did you notice sections with musical notes - the 7th Symphony by Shostakovich.

Image: Boston 2014

 

"I’m not looking for dry factual accounts of a place, instead I aim to work with literature that creates a more visceral, lasting impression of a particular place and time." Mathew Picton for inthemake.com

The Boston Sculpture depicts the city's evolution over time through use of different colored papers & varying heights. The Great fire of 1872 is depicted in the burnt & singed area.

Image: Venice 2012

And now a city that has captured the imagination & concern of people world over - Venice. Interestingly there is no blue in this sculpture - a color that immediately comes to mind when you think "Venice". You instead see a lot of grey - mud from the Venice lagoon, a reminder of the fact that this marvel is being reclaimed by the sea...

Images: Left: Dresden 1945;  Right: Dresden 1945 Burnt

"Some cities exist in the imagination more powerfully than others. I like to engage in specific events that cities have undergone as these are frequently the moments of pivotal change.....The additional cultural references provide width to the events, ways of seeing and imagining them, a sort of prismatic lens through which the events of history can be viewed and examined." Mathew Picton for rev-ma.blogspot.in

Image: Dublin, June16 1904

                Image: Moscow 1808, 1905, 2007 Duralar, enamel paint, pins, 2008

Mathew Picton has created several works in other mediums that are equally thought provoking. 

I am including a few here - maps again, that tell stories of cities..

Image: New Delhi  Duralar, enamel paint, pins, 2006

Image: Shanghai  Duralar, enamel paint, pins, 2006

“There is some intrinsic quality to cartography that goes beyond the scientific document – a beauty of form and detail, a record of past times and places, something that lives as a world in which imagination can flow; places to re-visit, places to re-imagine, a world to re-make itself in the imagination.” Mathew Picton in 'The Case of All Cities' published 2010

You can see more of Mathew picton's works here. 

All Images: Mathew Picton's website unless mentioned otherwise 

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